Gregg will be performing one piece that contains material from his most recent album, Eso Es (Mexican Summer), which is a percussive experiment using patches exclusively from the DX7. The long-form piece will also contain an opening movement of new material that encapsulates twenty years of composition, including his work with Date Palms, which focused on American Minimalism heavily influenced by classical Indian music. Minimalism and Maximalism in one performance. 
 

Prolific as a live performer, Mayuko Hino is most well-known for forming C.C.C.C. (Cosmic Coincidence Control Center) in 1990, together with Hiroshi Hasegawa, Fumio Kosakai and Ryuichi Nagakubo. In its early phase, the band grabbed attention by combining noise music with Hino’s sadomasochism performance using bondage ropes and dripping candle wax. C.C.C.C. released their European debut CD 'Flash' on Cold Spring in 1996. In addition to self-made instruments, Mayuko Hino plays noise with her six-theremin oscillators (in bright pink) – the one and only in the world, specially made by Ryo Araishi (a.k.a. ichion). She is also a member of Mne-Mic, DFH-M3, and Transparentz.

Indexical welcomes LA-based ensemble Gneiss and sound artist Jeff Kolar.

Indexical is pleased to present a selection from John McCowen's book of compositions, Mundanas I-XI.

Cellist and composer Lia Kohl joins us on the release of her new ode to the mundane “Normal Sounds” on Moon Glyph Records.