Experimental bass clarinetist, Katie Porter, with inimitable friends, perform Phase to Phase for two bass clarinets, Tape 231 for two bass clarinets & tape, New Hemispheres Ratios for electronics, and minimalist improvisational trios for two bass clarinets & bass.

Tape 231 by Werner Dafeldecker 28´

Lucio Capece - bassclarinet

Katie Porter - bassclarinet

Werner Dafeldecker - diffusion, live electronics

Phase to Phase 20´

Lucio Capece - bassclariet

Katie Porter - bassclarinet

New Hemispheres Ratios by Lucio Capece 30´

Lucio Capece - diffusion

Angular Momentum - 24´

Lucio Capece - bassclarinet

Katie Porter - bassclarinet

Werner Dafeldecker - double bass

Katie Porter is a Brooklyn-based clarinetist, performer/composer, writer, and artist whose work draws from decades of experimental performance practices to create structures for music perception in space and time (over lifetimes or subtle daily increments/abstractions). She is currently a 2024 Artist-In-Residence at ISSUE Project Room. 

Werner Dafeldecker was born in 1964 in Vienna and studied double bass at the Vienna Conservatory between 1982 and 1985. He has been working as a freelance musician, composer and sound artist since 1986. In 1992 he founded the ensemble Polwechsel and the label Durian Records. In the course of extensive cross-disciplinary projects and performances in the following years, his main interest was the expansion of instrument-specific playing techniques as well as the linking and manipulation of acoustic instruments by means of computer technology and other electronic formats. His works are often derived from or inspired by extra-musical influences such as architecture, science or film. In recent years he has concentrated on site-specific projects, field recordings, working with natural ambient sounds and their synthetic variants. In this context, he developed an extensive sound archive and created electroacoustic pieces for radio, film and other media works. 

Lucio is an Argentinian musician based in Berlin currently focused on the perception experience. He performs mainly solo and in the context of occasional collaborations based on the same interests. His compositions may include improvisation and many different ways of writing. He uses tools like flying speakers attached to balloons filled with helium and moved by propellers. He works with speakers as pendulums, analog synthesizers, sine waves and noise generators, drum machines, ultraviolet lights, sensors but also the instruments as bass and soprano clarinet or saxophone.