Valerio Tricoli is a Palermo born and Munich resident composer and performer of electro-acoustic music. His main instrument for live presentations is the Revox B77 reel-to-reel tape recorder, used as a completely analogue / ergonomic device for live sampling and real-time transformation / editing / mixing of pre-recorded (field or studio recordings) and made-on-the-spot sound sources, the latter usually being vocalizations (including speech and singing), small acoustic and electronic instruments, objects, the amplified sound of the room itself in which the concert takes place and - in the case of group sets - whatever is produced by the fellow musicians.

Tricoli's electro-acoustic studio compositions are aligned to the tradition of Musique Concrète and explore themes of the internal - represented both by the psychological and the physical - and of the occult, which together with the large use of spoken text makes them often deeply existential works, self-investigations of the psychological, emotional and irrational horror within.

Dean Fraser is a multidisciplinary audio visual artist whose mediums include synthesizers, field recordings, touchdesigner software and fog. Using a combination of granular synthesis, monolithic drones and large scale projected visuals, Fraser creates complex dark ambient soundscapes that slowly build through improvisation and drifting generative algorithms.