Gregg will be performing one piece that contains material from his most recent album, Eso Es (Mexican Summer), which is a percussive experiment using patches exclusively from the DX7. The long-form piece will also contain an opening movement of new material that encapsulates twenty years of composition, including his work with Date Palms, which focused on American Minimalism heavily influenced by classical Indian music. Minimalism and Maximalism in one performance. 
 

While working together at the end of the Center of Contemporary Music at Mills College, Brendan Glasson and Mitch Stahlmann began their collaboration inspired by more fringe pieces and composers of the Mills College canon.
 
The composer Phil Harmonic’s piece “Timing” became a pivotal compositional model that perpetuated the body of work as heard on I (pronounce one), in which change is imposed upon relatively static music. The foundational sound of the record comes from a neglected Oberheim Xpander and Octave-Plateau Voyetra-8 controlled simultaneously by both composers via custom software.